Twisted Voice (Berg & Omiki remix)
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 4m
- Energy
- 87/100
- Pop
- 22/100
- Length
- 5:11
- Released
- 2022
- Genre
- Progressive House
- Loudness
- -5.3 dB
- Dynamics
- 10.2 dB
- ISRC
- UKU932231512
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 140 BPM in F♯ minor (11A), Twisted Voice (Berg & Omiki remix) is a driving up-tempo progressive house production. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 99% of Space Motion's catalogue.
- Groove:
- less groove-driven than 91% of Space Motion's catalogue
- Reach:
- better known than 80% of Space Motion's catalogue
- Energy:
- hotter than 77% of Space Motion's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Twisted Voice (Berg & Omiki remix) in?
Twisted Voice (Berg & Omiki remix) by Space Motion is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Twisted Voice (Berg & Omiki remix)?
Twisted Voice (Berg & Omiki remix) runs at 140 BPM, a driving up-tempo track.
What mixes well with Twisted Voice (Berg & Omiki remix)?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Twisted Voice (Berg & Omiki remix) good for peak time?
With energy 87 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 140 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More progressive house
More from Space Motion
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
