![Vermillion 02 [220210.1] by Rodhad cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/5b90f202902db9ff4d5d.webp)
Vermillion 02 [220210.1]
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 79/100
- Pop
- 0/100
- Length
- 6:00
- Released
- 2023
- Genre
- Techno
- Loudness
- -10.4 dB
- Dynamics
- 8.4 dB
- ISRC
- DEYS32301102
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Vermillion 02 [220210.1] runs 140 BPM in B minor (10A), a driving up-tempo techno record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More underground than 99% of Rodhad's catalogue.
- Brightness:
- brighter than 94% of Rodhad's catalogue
- Tempo:
- faster than 81% of Rodhad's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Vermillion 02 [220210.1] in?
Vermillion 02 [220210.1] by Rodhad is in B minor, or 10A on the Camelot wheel.
What BPM is Vermillion 02 [220210.1]?
Vermillion 02 [220210.1] runs at 140 BPM, a driving up-tempo track.
What mixes well with Vermillion 02 [220210.1]?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Vermillion 02 [220210.1] good for peak time?
With energy 79 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Rodhad
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.