Obsessed by Power
- BPM
- 140
- Half-time
- 70
- Open Key
- 8m
- Energy
- 75/100
- Pop
- 21/100
- Length
- 7:37
- Released
- 2020
- Genre
- Techno
- Loudness
- -6.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Obsessed by Power: driving up-tempo techno, B♭ minor (3A), 140 BPM. The feel is dark and driving. Darker than 89% of I Hate Models's catalogue. In a set it works best as a high-intensity peak cut.
- Energy:
- calmer than 84% of I Hate Models's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Obsessed by Power in?
Obsessed by Power by I Hate Models is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Obsessed by Power?
Obsessed by Power runs at 140 BPM, a driving up-tempo track.
What mixes well with Obsessed by Power?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Obsessed by Power good for peak time?
With energy 75 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 140 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from I Hate Models
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
