Late Night
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 3m
- Energy
- 70/100
- Pop
- 0/100
- Length
- 4:47
- Released
- 1992
- Album
- Waveform Transmission Vol. 1
- Genre
- Techno
- Loudness
- -14.1 dB
- Dynamics
- 11.8 dB
- ISRC
- DEF279201106
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Late Night - Mills Mixoriginal10A · 137
Late Night: driving up-tempo techno, B minor (10A), 140 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 1992 production that still circulates in sets. More underground than 99% of Jeff Mills's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 85% of Jeff Mills's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Late Night in?
Late Night by Jeff Mills is in B minor, or 10A on the Camelot wheel.
What BPM is Late Night?
Late Night runs at 140 BPM, a driving up-tempo track.
What mixes well with Late Night?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Late Night good for peak time?
With energy 70 out of 100 at 140 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 140 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More techno
More from Jeff Mills
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
