
Uawok Tong
30s preview
- BPM
- 127
- Open Key
- 8m
- Energy
- 43/100
- Pop
- 0/100
- Length
- 8:49
- Released
- 2017
- Album
- Alkahest
- Genre
- Techno
- Loudness
- -15.1 dB
- Dynamics
- 9.2 dB
- ISRC
- GBLV61635821
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Uawok Tongoriginal3A · 127
Uawok Tong: peak-time tempo techno, B♭ minor (3A), 127 BPM. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Mathame's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Groove:
- groovier than 96% of Mathame's catalogue
- Energy:
- calmer than 95% of Mathame's catalogue
- Low end:
- more bass-heavy than 83% of Mathame's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 48%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 12%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Uawok Tong in?
Uawok Tong by Mathame is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Uawok Tong?
Uawok Tong runs at 127 BPM, a peak-time tempo track.
What mixes well with Uawok Tong?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Uawok Tong good for peak time?
With energy 43 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 127 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Mathame
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.