Rabid - Instrumental
30s preview
- BPM
- 126
- Open Key
- 7d
- Energy
- 42/100
- Pop
- 0/100
- Length
- 8:17
- Released
- 2010
- Album
- Rabid (Remixes)
- Genre
- Tech House
- Loudness
- -9.8 dB
- Dynamics
- 9.3 dB
- ISRC
- USYLM1000024
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Rabidoriginal2B · 126
- Rabid - Bryan Brack Remixremix3A · 126
- Rabidoriginal2B · 126
- Rabid - Bass Stemoriginal10A · 126
- Rabid - Edit Select Remixremix9B · 126
- Rabid - Radio Slave Remixremix11B · 126
Against the original (2B at 126 BPM), this version holds the same tempo in the same key.
Rabid - Instrumental runs 126 BPM in F♯ major (2B), a club-tempo tech house record. It reads as balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2010 production that still circulates in sets. More underground than 99% of Dubfire's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 95% of Dubfire's catalogue
- Low end:
- more bass-heavy than 94% of Dubfire's catalogue
- Groove:
- groovier than 93% of Dubfire's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 52%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 13%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is Rabid - Instrumental in?
Rabid - Instrumental by Dubfire is in F♯ major, or 2B on the Camelot wheel.
What BPM is Rabid - Instrumental?
Rabid - Instrumental runs at 126 BPM, a club-tempo track.
What mixes well with Rabid - Instrumental?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Rabid - Instrumental good for peak time?
With energy 42 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 126 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Dubfire
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
