Remainings, Pt. 3 - Dustin Zahn Remix
30s preview
- Key
- 6A · G minor
- BPM
- 128
- Open Key
- 11m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 6:45
- Released
- 2009
- Album
- Remainings, Pt. 3 (Remixes)
- Genre
- Techno
- Loudness
- -6.3 dB
- Dynamics
- 9.2 dB
- ISRC
- GBYNV0902159
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Remainings, Pt. 3 - Adam Beyer & Jesper Dahlback Dubversion9B · 127
- Remainings, Pt. 3 - Alan Fitzpatrick Remixremix3A · 128
- Remainings, Pt. 3 - Joseph Capriati Code Remixremix9B · 126
- Remainings, Pt. 3 - Joseph Capriati Drum Remixremix10A · 128
- Remainings, Pt. 3 - Original Jesper Dahlback Remastered Remixremix10B · 134
- Remainings, Pt. 3 - Paul Ritch Remixremix1B · 127
Remainings, Pt. 3 - Dustin Zahn Remix is a peak-time tempo techno track in G minor (6A) at 128 BPM. Tonally it lands dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. Groovier than 99% of Adam Beyer's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Adam Beyer's catalogue
- Energy:
- calmer than 98% of Adam Beyer's catalogue
- Brightness:
- darker than 87% of Adam Beyer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Remainings, Pt. 3 - Dustin Zahn Remix in?
Remainings, Pt. 3 - Dustin Zahn Remix by Adam Beyer is in G minor, or 6A on the Camelot wheel.
What BPM is Remainings, Pt. 3 - Dustin Zahn Remix?
Remainings, Pt. 3 - Dustin Zahn Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Remainings, Pt. 3 - Dustin Zahn Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Remainings, Pt. 3 - Dustin Zahn Remix good for peak time?
With energy 50 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
![Fall From Grace - (Audiojack Remix) [Edit] by Just Her cover art](https://i.scdn.co/image/ab67616d00001e02a0864580700f91d5096e11d6){kind=small}
How to mix it
In 6A at 128 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More techno
More from Adam Beyer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
