Here We Go Again - My Digital Enemy Remix
- BPM
- 128
- Open Key
- 7d
- Energy
- 48/100
- Pop
- 0/100
- Length
- 5:49
- Released
- 2013
- Album
- Here We Go Again
- Genre
- Progressive House
- Loudness
- -6.8 dB
- ISRC
- DEW871303197
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Here We Go Againoriginal12A · 128
- Here We Go Again - Full Vox Mixoriginal12A · 128
- Here We Go Again - Jean Elan Remixremix12A · 128
- Here We Go Again - Radio Editversion12A · 128
Against the original (12A at 128 BPM), this version holds the same tempo and moves the key from 12A to 2B.
At 128 BPM in F♯ major (2B), Here We Go Again - My Digital Enemy Remix is a peak-time tempo progressive house production. The feel is dark and steady. The groove is strong and floor-ready. A 2013 production that still circulates in sets. More underground than 99% of Pretty Pink's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 94% of Pretty Pink's catalogue
- Tempo:
- faster than 85% of Pretty Pink's catalogue
- Groove:
- groovier than 84% of Pretty Pink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Here We Go Again - My Digital Enemy Remix in?
Here We Go Again - My Digital Enemy Remix by Pretty Pink is in F♯ major, or 2B on the Camelot wheel.
What BPM is Here We Go Again - My Digital Enemy Remix?
Here We Go Again - My Digital Enemy Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with Here We Go Again - My Digital Enemy Remix?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is Here We Go Again - My Digital Enemy Remix good for peak time?
With energy 48 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 128 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from Pretty Pink
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
