Move It - AKA AKA Edit
30s preview
- BPM
- 120
- Open Key
- 8d
- Energy
- 69/100
- Pop
- 38/100
- Length
- 2:46
- Released
- 2020
- Album
- Move It (AKA AKA Edit)
- Genre
- Progressive House
- Loudness
- -8.5 dB
- Dynamics
- 9.5 dB
- ISRC
- DEVE12000021
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Move Itoriginal12A · 123
- Move It (AKA AKA Extended Remix)remix3B · 120
Against the original (12A at 123 BPM), this version runs 3 BPM slower and moves the key from 12A to 3B.
Move It - AKA AKA Edit runs 120 BPM in D♭ major (3B), a club-tempo progressive house record. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 97% of Pretty Pink's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 96% of Pretty Pink's catalogue
- Groove:
- groovier than 77% of Pretty Pink's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Move It - AKA AKA Edit in?
Move It - AKA AKA Edit by Pretty Pink is in D♭ major, or 3B on the Camelot wheel.
What BPM is Move It - AKA AKA Edit?
Move It - AKA AKA Edit runs at 120 BPM, a club-tempo track.
What mixes well with Move It - AKA AKA Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Move It - AKA AKA Edit good for peak time?
With energy 69 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 120 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
