Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix
30s preview
- Key
- 4A · F minor
- BPM
- 120
- Open Key
- 9m
- Energy
- 69/100
- Pop
- 1/100
- Length
- 6:21
- Released
- 2019
- Album
- James Grant & Jody Wisternoff’s Anjunadeep 10 Remix Sampler
- Genre
- Progressive House
- Loudness
- -5.4 dB
- Dynamics
- 14.7 dB
- ISRC
- GBEWA1900903
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix is a club-tempo progressive house track in F minor (4A) at 120 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 15 dB). Groovier than 96% of James Grant's catalogue. For programming, treat it as a mid-set roller.
- Reach:
- more underground than 96% of James Grant's catalogue
- Tempo:
- slower than 88% of James Grant's catalogue
- Low end:
- more treble-tilted than 86% of James Grant's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix in?
Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix by James Grant is in F minor, or 4A on the Camelot wheel.
What BPM is Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix?
Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix runs at 120 BPM, a club-tempo track.
What mixes well with Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Autumn's Feathers - Jody Wisternoff & James Grant Extended Mix good for peak time?
With energy 69 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
