Loved Me
30s preview
- Key
- 5A · C minor
- BPM
- 120
- Open Key
- 10m
- Energy
- 70/100
- Pop
- 12/100
- Length
- 3:07
- Released
- 2017
- Genre
- Progressive House
- Loudness
- -8.2 dB
- Dynamics
- 10.9 dB
- ISRC
- US83Z1776593
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Loved Me: club-tempo progressive house, C minor (5A), 120 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2017 production that still circulates in sets. Slower than 89% of Marsh's catalogue. For programming, treat it as a mid-set roller.
- Low end:
- more bass-heavy than 85% of Marsh's catalogue
- Brightness:
- darker than 84% of Marsh's catalogue
- Energy:
- calmer than 77% of Marsh's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Loved Me in?
Loved Me by Marsh is in C minor, or 5A on the Camelot wheel.
What BPM is Loved Me?
Loved Me runs at 120 BPM, a club-tempo track.
What mixes well with Loved Me?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Loved Me good for peak time?
With energy 70 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 120 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
