Dschungelcamp by Marcus Meinhardt cover art

Dschungelcamp

Marcus Meinhardt

Key
11A · F♯ minor
BPM
120
Open Key
4m
Energy
69/100
Pop
4/100
Length
7:13
Released
2019
Album
Morning Star
Genre
Tech House
Loudness
-10.9 dB
ISRC
DEY471980044

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Dschungelcamp is a club-tempo tech house track in F♯ minor (11A) at 120 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Slower than 99% of Marcus Meinhardt's catalogue. For programming, treat it as a mid-set roller.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy69
Mood21Dark
Groove81
Acoustic0
Instrumental88
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Dschungelcamp in?

Dschungelcamp by Marcus Meinhardt is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Dschungelcamp?

Dschungelcamp runs at 120 BPM, a club-tempo track.

What mixes well with Dschungelcamp?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Dschungelcamp good for peak time?

With energy 69 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 120 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Marcus Meinhardt

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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