I Wanna Be (Instrumental)
30s preview
- BPM
- 120
- Open Key
- 5m
- Energy
- 72/100
- Pop
- 0/100
- Length
- 5:00
- Released
- 2016
- Genre
- House
- Loudness
- -7.0 dB
- Dynamics
- 14.8 dB
- ISRC
- GBUM71507727
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I Wanna Be (Instrumental) runs 120 BPM in D♭ minor (12A), a club-tempo house record. The feel is dark and driving. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 15 dB). A 2016 production that still circulates in sets. More underground than 99% of Chris Lorenzo's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 99% of Chris Lorenzo's catalogue
- Tempo:
- slower than 98% of Chris Lorenzo's catalogue
- Brightness:
- darker than 79% of Chris Lorenzo's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 13%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 32%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is I Wanna Be (Instrumental) in?
I Wanna Be (Instrumental) by Chris Lorenzo is in D♭ minor, or 12A on the Camelot wheel.
What BPM is I Wanna Be (Instrumental)?
I Wanna Be (Instrumental) runs at 120 BPM, a club-tempo track.
What mixes well with I Wanna Be (Instrumental)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is I Wanna Be (Instrumental) good for peak time?
With energy 72 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 120 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Chris Lorenzo
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
