Nobody Seems to Care
- Key
- 5A · C minor
- BPM
- 128
- Open Key
- 10m
- Energy
- 50/100
- Pop
- 0/100
- Length
- 8:04
- Released
- 2008
- Genre
- Progressive House
- Loudness
- -11.8 dB
- ISRC
- GBDRF0800309
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Nobody Seems to Care is a peak-time tempo progressive house track in C minor (5A) at 128 BPM. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is focused in the upper-mids, present and forward. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. More underground than 99% of 16BL's catalogue.
- Low end:
- more treble-tilted than 99% of 16BL's catalogue
- Tempo:
- faster than 93% of 16BL's catalogue
- Energy:
- calmer than 88% of 16BL's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 12%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 33%
- Upper-mid
- 570 Hz-2.5 kHz
- 23%
- High
- 2.5-11 kHz
FAQ
What key is Nobody Seems to Care in?
Nobody Seems to Care by 16BL is in C minor, or 5A on the Camelot wheel.
What BPM is Nobody Seems to Care?
Nobody Seems to Care runs at 128 BPM, a peak-time tempo track.
What mixes well with Nobody Seems to Care?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Nobody Seems to Care good for peak time?
With energy 50 out of 100 at 128 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 128 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More progressive house
More from 16BL
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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