
Anxious on Demand
30s preview
- Key
- 6A · G minor
- BPM
- 127
- Open Key
- 11m
- Energy
- 52/100
- Pop
- 0/100
- Length
- 8:40
- Released
- 2007
- Genre
- Techno
- Loudness
- -12.0 dB
- Dynamics
- 8.9 dB
- ISRC
- DET740700033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Anxious on Demand sits in G minor (6A) at 127 BPM. It reads as balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2007 production that still circulates in sets. More underground than 99% of Umek's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 98% of Umek's catalogue
- Groove:
- groovier than 94% of Umek's catalogue
- Brightness:
- brighter than 84% of Umek's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Anxious on Demand in?
Anxious on Demand by Umek is in G minor, or 6A on the Camelot wheel.
What BPM is Anxious on Demand?
Anxious on Demand runs at 127 BPM, a peak-time tempo track.
What mixes well with Anxious on Demand?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Anxious on Demand good for peak time?
With energy 52 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 127 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More techno
More from Umek
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.