Klara
- BPM
- 127
- Open Key
- 10d
- Energy
- 11/100
- Pop
- 0/100
- Length
- 2:29
- Released
- 2006
- Album
- Við og við.
- Genre
- Downtempo
- Loudness
- -17.9 dB
- ISRC
- ISU110700103
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Klara is a peak-time tempo downtempo track in E♭ major (5B) at 127 BPM. It is vocal-led. The master keeps real dynamic headroom. A 2006 production that still circulates in sets. Brighter than 99% of Olafur Arnalds's catalogue.
- Reach:
- more underground than 99% of Olafur Arnalds's catalogue
- Groove:
- groovier than 96% of Olafur Arnalds's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Klara in?
Klara by Olafur Arnalds is in E♭ major, or 5B on the Camelot wheel.
What BPM is Klara?
Klara runs at 127 BPM, a peak-time tempo track.
What mixes well with Klara?
From 5B it blends harmonically with 6B, 5A, 4B. Moving to 6B lifts the energy a step.
Is Klara good for peak time?
With energy 11 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
5B → 4B · 6B · 5AFrom 5B, 6B (B♭ major) lifts the energy a step; 5A (C minor) settles into the relative minor; 4B (A♭ major) cools the energy down a step.
How to mix it
In 5B at 127 BPM: 6B (B♭ major) — move to 6B to push the floor harder; 5A (C minor) — switch to 5A for a mood change without losing the groove; 4B (A♭ major) — drop to 4B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12B rather than 5B; below -5% it reads as 10B. With key lock on, it stays 5B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More downtempo
More from Olafur Arnalds
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
