Bleeding Heart - Soundtrack
30s preview
- Key
- 6A · G minor
- BPM
- 125
- Open Key
- 11m
- Energy
- 17/100
- Pop
- 0/100
- Length
- 4:35
- Released
- 2017
- Album
- Bleeding Heart
- Genre
- Tech House
- Label
- FCKNG SERIOUS
- Loudness
- -20.4 dB
- Dynamics
- 15.2 dB
- ISRC
- DEKB71614375
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bleeding Heartoriginal9B · 125
- Bleeding Heartoriginal9B · 125
Bleeding Heart - Soundtrack: club-tempo tech house, G minor (6A), 125 BPM. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). A 2017 production that still circulates in sets. Calmer than 99% of Boris Brejcha's catalogue.
- Tempo:
- slower than 99% of Boris Brejcha's catalogue
- Groove:
- less groove-driven than 99% of Boris Brejcha's catalogue
- Reach:
- more underground than 99% of Boris Brejcha's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 40%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 3%
- High
- 2.5-11 kHz
FAQ
What key is Bleeding Heart - Soundtrack in?
Bleeding Heart - Soundtrack by Boris Brejcha is in G minor, or 6A on the Camelot wheel.
What BPM is Bleeding Heart - Soundtrack?
Bleeding Heart - Soundtrack runs at 125 BPM, a club-tempo track.
What mixes well with Bleeding Heart - Soundtrack?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Bleeding Heart - Soundtrack good for peak time?
With energy 17 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 125 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Boris Brejcha
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
