So Many Lies - Original Mix
30s preview
- Key
- 9B · G major
- BPM
- 182
- Half-time
- 91
- Open Key
- 2d
- Energy
- 67/100
- Pop
- 1/100
- Length
- 6:01
- Released
- 2016
- Album
- So Many Lies
- Genre
- Industrial
- Loudness
- -9.7 dB
- Dynamics
- 13.3 dB
- ISRC
- FR73R1600001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- So Many Lies - Instinct Mixoriginal3B · 128
So Many Lies - Original Mix runs 182 BPM in G major (9B), an industrial record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Faster than 99% of Terence Fixmer's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 87% of Terence Fixmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is So Many Lies - Original Mix in?
So Many Lies - Original Mix by Terence Fixmer is in G major, or 9B on the Camelot wheel.
What BPM is So Many Lies - Original Mix?
So Many Lies - Original Mix runs at 182 BPM.
What mixes well with So Many Lies - Original Mix?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is So Many Lies - Original Mix good for peak time?
With energy 67 out of 100 at 182 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 182 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 171-193 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 182 — beatmatch without a big tempo pull.
More industrial
More from Terence Fixmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 182 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
