The Crush - Original Mix
30s preview
- BPM
- 184
- Half-time
- 92
- Open Key
- 4m
- Energy
- 80/100
- Pop
- 2/100
- Length
- 4:30
- Released
- 2019
- Album
- Let It Begin EP
- Genre
- Industrial
- Loudness
- -8.0 dB
- Dynamics
- 14.2 dB
- ISRC
- FR73R1900003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Crush - Force Mixoriginal1B · 128
The Crush - Original Mix runs 184 BPM in F♯ minor (11A), an industrial record. The feel is dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Faster than 99% of Terence Fixmer's catalogue. For programming, treat it as an opener or closing-set piece.
- Low end:
- more treble-tilted than 89% of Terence Fixmer's catalogue
- Reach:
- better known than 81% of Terence Fixmer's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Crush - Original Mix in?
The Crush - Original Mix by Terence Fixmer is in F♯ minor, or 11A on the Camelot wheel.
What BPM is The Crush - Original Mix?
The Crush - Original Mix runs at 184 BPM.
What mixes well with The Crush - Original Mix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is The Crush - Original Mix good for peak time?
With energy 80 out of 100 at 184 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 184 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 173-195 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 184 — beatmatch without a big tempo pull.
More industrial
More from Terence Fixmer
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 184 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
