John Taylor's Month Away by Jon Hopkins cover art

John Taylor's Month Away

Jon Hopkins

Key
8B · C major
BPM
95
Double-time
190
Open Key
1d
Energy
30/100
Pop
20/100
Length
6:32
Released
2011
Genre
Downtempo
Label
Domino
Loudness
-16.9 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

John Taylor's Month Away: slow-groove tempo downtempo, C major (8B), 95 BPM. It is vocal-led. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. In a set it works best as a warm-up or breakdown cut.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy30
Mood9Dark
Groove45
Acoustic76
Instrumental16
Live10
Speech3

Frequency spectrum

amplitude · bass → treble

FAQ

What key is John Taylor's Month Away in?

John Taylor's Month Away by Jon Hopkins is in C major, or 8B on the Camelot wheel.

What BPM is John Taylor's Month Away?

John Taylor's Month Away runs at 95 BPM, a slow-groove tempo track.

What mixes well with John Taylor's Month Away?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is John Taylor's Month Away good for peak time?

With energy 30 out of 100 at 95 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 95 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

More downtempo

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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