Prelude by Bonobo cover art

Prelude

Bonobo

30s preview

Key
3A · B♭ minor
BPM
95
Double-time
190
Open Key
8m
Energy
34/100
Pop
6/100
Length
1:18
Released
2010
Genre
Downtempo
Loudness
-7.6 dB
Dynamics
14.4 dB
ISRC
GBCFB1000001

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Prelude: slow-groove tempo downtempo, B♭ minor (3A), 95 BPM. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. Less groove-driven than 98% of Bonobo's catalogue.

Low end:
more treble-tilted than 97% of Bonobo's catalogue
Energy:
calmer than 95% of Bonobo's catalogue
Tempo:
slower than 82% of Bonobo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy34
Mood17Dark
Groove22
Acoustic89
Instrumental7
Live34
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
27%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
27%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Prelude in?

Prelude by Bonobo is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Prelude?

Prelude runs at 95 BPM, a slow-groove tempo track.

What mixes well with Prelude?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Prelude good for peak time?

With energy 34 out of 100 at 95 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

#Track

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 95 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 89-101 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 95 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 95 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track