Prelude - Lapalux's Finger on the Tape Remix by Bonobo cover art

Prelude - Lapalux's Finger on the Tape Remix

Bonobo

30s preview

Key
4A · F minor
BPM
130
Open Key
9m
Energy
54/100
Pop
1/100
Length
4:18
Released
2012
Album
Black Sands Remixed
Genre
Techno
Label
Ninja Tune
Loudness
-7.3 dB
Dynamics
11.0 dB
ISRC
GBCFB1102620

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (3A at 95 BPM), this version runs 35 BPM faster and moves the key from 3A to 4A.

At 130 BPM in F minor (4A), Prelude - Lapalux's Finger on the Tape Remix is a peak-time tempo techno production. It reads as dark and steady. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2012 production that still circulates in sets. Less groove-driven than 98% of Bonobo's catalogue. For programming, treat it as a mid-set roller.

Brightness:
darker than 90% of Bonobo's catalogue
Tempo:
faster than 80% of Bonobo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy54
Mood8Dark
Groove22
Acoustic38
Instrumental10
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Prelude - Lapalux's Finger on the Tape Remix in?

Prelude - Lapalux's Finger on the Tape Remix by Bonobo is in F minor, or 4A on the Camelot wheel.

What BPM is Prelude - Lapalux's Finger on the Tape Remix?

Prelude - Lapalux's Finger on the Tape Remix runs at 130 BPM, a peak-time tempo track.

What mixes well with Prelude - Lapalux's Finger on the Tape Remix?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Prelude - Lapalux's Finger on the Tape Remix good for peak time?

With energy 54 out of 100 at 130 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

#Track

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 130 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#Track

More techno

More from Bonobo

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track