Polyghost by Bonobo cover art

Polyghost

Bonobo

30s preview

Key
2A · E♭ minor
BPM
128
Open Key
7m
Energy
23/100
Pop
51/100
Length
1:49
Released
2022
Genre
Deep House
Loudness
-20.0 dB
Dynamics
18.1 dB
ISRC
GBCFB2100530

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 128 BPM in E♭ minor (2A), Polyghost is a peak-time tempo deep house production. The feel is brooding and low-slung. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 18 dB). Calmer than 98% of Bonobo's catalogue. In a set it works best as a warm-up or breakdown cut.

Reach:
better known than 97% of Bonobo's catalogue
Groove:
less groove-driven than 94% of Bonobo's catalogue
Brightness:
darker than 89% of Bonobo's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy23
Mood8Dark
Groove30
Acoustic93
Instrumental85
Live11
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Polyghost in?

Polyghost by Bonobo is in E♭ minor, or 2A on the Camelot wheel.

What BPM is Polyghost?

Polyghost runs at 128 BPM, a peak-time tempo track.

What mixes well with Polyghost?

From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.

Is Polyghost good for peak time?

With energy 23 out of 100 at 128 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

2A1A · 3A · 2B

From 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.

Every move from 2A

3ASimple Mix Upper
1ASimple Mix Downer
2BTonal Shift·
3BDiagonal Mix Upper
1BDiagonal Mix Downer
11BCompatible Tone·
4AHigh Energy Boost▲▲▲
12AHigh Energy Drain▼▼▼
5AParallel Key Upper▲▲
11AParallel Key Downer▼▼
9ATritone Jump▲▲
6ARelated Keyrisky

How to mix it

In 2A at 128 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.

Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 128 — beatmatch without a big tempo pull.

More deep house

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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