Erosa
- BPM
- 127
- Open Key
- 3m
- Energy
- 39/100
- Pop
- 8/100
- Length
- 3:09
- Released
- 2025
- Genre
- Progressive House
- Loudness
- -16.2 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 127 BPM in B minor (10A), Erosa is a peak-time tempo progressive house production. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. Darker than 99% of Jamie Stevens's catalogue.
- Groove:
- less groove-driven than 98% of Jamie Stevens's catalogue
- Energy:
- calmer than 97% of Jamie Stevens's catalogue
- Tempo:
- faster than 96% of Jamie Stevens's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Erosa in?
Erosa by Jamie Stevens is in B minor, or 10A on the Camelot wheel.
What BPM is Erosa?
Erosa runs at 127 BPM, a peak-time tempo track.
What mixes well with Erosa?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Erosa good for peak time?
With energy 39 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 127 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More progressive house
More from Jamie Stevens
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
