What Have You Done To Me?
30s preview
- BPM
- 127
- Open Key
- 8d
- Energy
- 47/100
- Pop
- 32/100
- Length
- 4:46
- Released
- 2021
- Genre
- Deep House
- Loudness
- -11.4 dB
- Dynamics
- 9.2 dB
- ISRC
- GBEWA2105578
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- What Have You Done To Me? - PARIS Remixremix12A · 125
What Have You Done To Me? runs 127 BPM in D♭ major (3B), a peak-time tempo deep house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Faster than 97% of Lane 8's catalogue.
- Energy:
- calmer than 94% of Lane 8's catalogue
- Groove:
- less groove-driven than 91% of Lane 8's catalogue
- Brightness:
- darker than 85% of Lane 8's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is What Have You Done To Me? in?
What Have You Done To Me? by Lane 8 is in D♭ major, or 3B on the Camelot wheel.
What BPM is What Have You Done To Me??
What Have You Done To Me? runs at 127 BPM, a peak-time tempo track.
What mixes well with What Have You Done To Me??
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is What Have You Done To Me? good for peak time?
With energy 47 out of 100 at 127 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 127 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
![Fall From Grace - (Audiojack Remix) [Edit] by Just Her cover art](https://i.scdn.co/image/ab67616d00001e02a0864580700f91d5096e11d6){kind=small}
More deep house
More from Lane 8
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
