Bienenstich
- Key
- 8A · A minor
- BPM
- 127
- Open Key
- 1m
- Energy
- 36/100
- Pop
- 0/100
- Length
- 7:08
- Released
- 2006
- Album
- Bionik
- Genre
- Tech House
- Loudness
- -9.7 dB
- ISRC
- DEQ200700294
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo tech house cut, Bienenstich sits in A minor (8A) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- groovier than 87% of Dominik Eulberg's catalogue
- Brightness:
- brighter than 85% of Dominik Eulberg's catalogue
- Energy:
- calmer than 79% of Dominik Eulberg's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Bienenstich in?
Bienenstich by Dominik Eulberg is in A minor, or 8A on the Camelot wheel.
What BPM is Bienenstich?
Bienenstich runs at 127 BPM, a peak-time tempo track.
What mixes well with Bienenstich?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Bienenstich good for peak time?
With energy 36 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More tech house
More from Dominik Eulberg
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.