Bienenstich by Dominik Eulberg cover art

Bienenstich

Dominik Eulberg

Key
8A · A minor
BPM
127
Open Key
1m
Energy
36/100
Pop
0/100
Length
7:08
Released
2006
Album
Bionik
Genre
Tech House
Loudness
-9.7 dB
ISRC
DEQ200700294

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo tech house cut, Bienenstich sits in A minor (8A) at 127 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. A 2006 production that still circulates in sets. More underground than 99% of Dominik Eulberg's catalogue. In a set it works best as a warm-up or breakdown cut.

Groove:
groovier than 87% of Dominik Eulberg's catalogue
Brightness:
brighter than 85% of Dominik Eulberg's catalogue
Energy:
calmer than 79% of Dominik Eulberg's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy36
Mood59Balanced
Groove80
Acoustic0
Instrumental91
Live10
Speech14

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Bienenstich in?

Bienenstich by Dominik Eulberg is in A minor, or 8A on the Camelot wheel.

What BPM is Bienenstich?

Bienenstich runs at 127 BPM, a peak-time tempo track.

What mixes well with Bienenstich?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Bienenstich good for peak time?

With energy 36 out of 100 at 127 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 127 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track