Quello che resta - Antonio Ruscito Remix
30s preview
- BPM
- 126
- Open Key
- 11d
- Energy
- 35/100
- Pop
- 18/100
- Length
- 6:38
- Released
- 2017
- Album
- Endless (Remixes)
- Genre
- Deep House
- Label
- Deutsche Grammophon
- Loudness
- -17.3 dB
- Dynamics
- 13.5 dB
- ISRC
- DEN961730610
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Quello che restaoriginal6B · 60
Against the original (6B at 60 BPM), this version runs 66 BPM faster in the same key.
At 126 BPM in B♭ major (6B), Quello che resta - Antonio Ruscito Remix is a club-tempo deep house production. The feel is brooding and low-slung. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. Darker than 99% of Tale Of Us's catalogue. In a set it works best as a warm-up or breakdown cut.
- Groove:
- less groove-driven than 89% of Tale Of Us's catalogue
- Energy:
- calmer than 85% of Tale Of Us's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 6%
- High
- 2.5-11 kHz
FAQ
What key is Quello che resta - Antonio Ruscito Remix in?
Quello che resta - Antonio Ruscito Remix by Tale Of Us is in B♭ major, or 6B on the Camelot wheel.
What BPM is Quello che resta - Antonio Ruscito Remix?
Quello che resta - Antonio Ruscito Remix runs at 126 BPM, a club-tempo track.
What mixes well with Quello che resta - Antonio Ruscito Remix?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Quello che resta - Antonio Ruscito Remix good for peak time?
With energy 35 out of 100 at 126 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
How to mix it
In 6B at 126 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More deep house
More from Tale Of Us
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
