Otherworld
30s preview
- BPM
- 129
- Open Key
- 6m
- Energy
- 30/100
- Pop
- 20/100
- Length
- 2:45
- Released
- 2024
- Genre
- Progressive House
- Loudness
- -9.8 dB
- Dynamics
- 11.1 dB
- ISRC
- GBEWA2504241
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Otherworldoriginal1A · 125
Otherworld runs 129 BPM in A♭ minor (1A), a peak-time tempo progressive house record. Tonally it lands brooding and low-slung. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Less groove-driven than 99% of Jody Wisternoff's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Energy:
- calmer than 98% of Jody Wisternoff's catalogue
- Tempo:
- faster than 95% of Jody Wisternoff's catalogue
- Brightness:
- darker than 89% of Jody Wisternoff's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Otherworld in?
Otherworld by Jody Wisternoff is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Otherworld?
Otherworld runs at 129 BPM, a peak-time tempo track.
What mixes well with Otherworld?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Otherworld good for peak time?
With energy 30 out of 100 at 129 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 129 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More progressive house
More from Jody Wisternoff
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
