In Lilac
30s preview
- BPM
- 101
- Open Key
- 8m
- Energy
- 39/100
- Pop
- 26/100
- Length
- 10:16
- Released
- 2016
- Album
- Robots In Lilac Spaceships
- Genre
- Downtempo
- Loudness
- -13.4 dB
- Dynamics
- 10.9 dB
- ISRC
- DEY471616689
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- In Lilac - Sebo in Slomo - Spaceship Remixremix1A · 192
A slow-groove tempo downtempo cut, In Lilac sits in B♭ minor (3A) at 101 BPM. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2016 production that still circulates in sets. Groovier than 96% of Landhouse's catalogue. In a set it works best as a warm-up or breakdown cut.
- Reach:
- better known than 91% of Landhouse's catalogue
- Brightness:
- brighter than 88% of Landhouse's catalogue
- Tempo:
- slower than 76% of Landhouse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is In Lilac in?
In Lilac by Landhouse is in B♭ minor, or 3A on the Camelot wheel.
What BPM is In Lilac?
In Lilac runs at 101 BPM, a slow-groove tempo track.
What mixes well with In Lilac?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is In Lilac good for peak time?
With energy 39 out of 100 at 101 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 101 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 95-107 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 101 — beatmatch without a big tempo pull.
More downtempo
More from Landhouse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 101 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
