Back from the Black Forest - San Miguel Remix
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 8m
- Energy
- 49/100
- Pop
- 6/100
- Length
- 8:48
- Released
- 2018
- Album
- Black Forest - Random Collective Records
- Genre
- Downtempo
- Loudness
- -9.5 dB
- Dynamics
- 10.7 dB
- ISRC
- CA5KR1829957
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back From the Black Forestoriginal3B · 100
- Back from the Black Forest - Nathan Hall remixremix4B · 93
Against the original (3B at 100 BPM), this version holds the same tempo and moves the key from 3B to 3A.
At 100 BPM in B♭ minor (3A), Back from the Black Forest - San Miguel Remix is a slow-groove tempo downtempo production. The feel is dark and steady. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2018 production that still circulates in sets. Groovier than 84% of Landhouse's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 82% of Landhouse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 43%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 9%
- High
- 2.5-11 kHz
FAQ
What key is Back from the Black Forest - San Miguel Remix in?
Back from the Black Forest - San Miguel Remix by Landhouse is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Back from the Black Forest - San Miguel Remix?
Back from the Black Forest - San Miguel Remix runs at 100 BPM, a slow-groove tempo track.
What mixes well with Back from the Black Forest - San Miguel Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Back from the Black Forest - San Miguel Remix good for peak time?
With energy 49 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 100 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More downtempo
More from Landhouse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
