Back From the Black Forest
30s preview
- BPM
- 100
- Double-time
- 200
- Open Key
- 8d
- Energy
- 53/100
- Pop
- 27/100
- Length
- 8:30
- Released
- 2018
- Album
- Black Forest - Random Collective Records
- Genre
- Downtempo
- Loudness
- -11.1 dB
- Dynamics
- 11.9 dB
- ISRC
- CA5KR1829952
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Back from the Black Forest - Nathan Hall remixremix4B · 93
- Back from the Black Forest - San Miguel Remixremix3A · 100
Back From the Black Forest: slow-groove tempo downtempo, D♭ major (3B), 100 BPM. The feel is bright and easy. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2018 production that still circulates in sets. Brighter than 95% of Landhouse's catalogue.
- Reach:
- better known than 91% of Landhouse's catalogue
- Tempo:
- slower than 82% of Landhouse's catalogue
- Groove:
- groovier than 80% of Landhouse's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Back From the Black Forest in?
Back From the Black Forest by Landhouse is in D♭ major, or 3B on the Camelot wheel.
What BPM is Back From the Black Forest?
Back From the Black Forest runs at 100 BPM, a slow-groove tempo track.
What mixes well with Back From the Black Forest?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Back From the Black Forest good for peak time?
With energy 53 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 100 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More downtempo
More from Landhouse
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
