Be Good by HAAi cover art

Be Good

HAAi

30s preview

Key
8B · C major
BPM
101
Open Key
1d
Energy
49/100
Pop
0/100
Length
6:34
Released
2017
Genre
Downtempo
Loudness
-10.5 dB
Dynamics
13.0 dB
ISRC
CAL451796201

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 101 BPM in C major (8B), Be Good is a slow-groove tempo downtempo production. The feel is dark and steady. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. More underground than 99% of HAAi's catalogue. In a set it works best as a mid-set roller.

Tempo:
slower than 92% of HAAi's catalogue
Energy:
calmer than 86% of HAAi's catalogue
Brightness:
brighter than 77% of HAAi's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy49
Mood29Dark
Groove50
Acoustic0
Instrumental58
Live12
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
40%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
8%
High
2.5-11 kHz

FAQ

What key is Be Good in?

Be Good by HAAi is in C major, or 8B on the Camelot wheel.

What BPM is Be Good?

Be Good runs at 101 BPM, a slow-groove tempo track.

What mixes well with Be Good?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is Be Good good for peak time?

With energy 49 out of 100 at 101 BPM, it works best as a mid-set roller.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 101 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 95-107 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 101 — beatmatch without a big tempo pull.

#Track

More downtempo

#Track

More from HAAi

Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 101 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track