Bubble - Single Edit
30s preview
- Key
- 9B · G major
- BPM
- 103
- Open Key
- 2d
- Energy
- 46/100
- Pop
- 4/100
- Length
- 4:01
- Released
- 2011
- Album
- Bubble
- Genre
- Downtempo
- Label
- Domino
- Loudness
- -9.7 dB
- Dynamics
- 14.0 dB
- ISRC
- GBCEL1100107
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
Against the original (9B at 104 BPM), this version runs 1 BPM slower in the same key.
At 103 BPM in G major (9B), Bubble - Single Edit is a slow-groove tempo downtempo production. The groove is loose and less beat-driven. It is vocal-led. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 14 dB). A 2011 production that still circulates in sets. More treble-tilted than 90% of Jon Hopkins's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 77% of Jon Hopkins's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Bubble - Single Edit in?
Bubble - Single Edit by Jon Hopkins is in G major, or 9B on the Camelot wheel.
What BPM is Bubble - Single Edit?
Bubble - Single Edit runs at 103 BPM, a slow-groove tempo track.
What mixes well with Bubble - Single Edit?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Bubble - Single Edit good for peak time?
With energy 46 out of 100 at 103 BPM, it works best as a mid-set roller.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 103 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 97-109 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 103 — beatmatch without a big tempo pull.
More downtempo
![The Ladder [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2dc855271f39a7c365d9.webp){kind=small}
More from Jon Hopkins
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 103 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
