Love Cry (Joy Orbison Remix)
- BPM
- 202
- Half-time
- 101
- Open Key
- 8d
- Energy
- 46/100
- Pop
- 0/100
- Length
- 4:54
- Released
- 2010
- Album
- Angel Echoes Remixes
- Genre
- Downtempo
- Loudness
- -12.1 dB
- ISRC
- GBCEL0900969
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Love Cry - Joy Orbison Remixremix3B · 202
- Love Cry - Roska Remixremix3A · 128
- Love Cryoriginal3A · 116
Against the original (3A at 116 BPM), this version runs 86 BPM faster and moves the key from 3A to 3B.
Love Cry (Joy Orbison Remix): downtempo, D♭ major (3B), 202 BPM. The feel is dark and steady. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2010 production that still circulates in sets. Faster than 99% of Four Tet's catalogue. In a set it works best as a mid-set roller.
- Reach:
- more underground than 99% of Four Tet's catalogue
- Brightness:
- darker than 85% of Four Tet's catalogue
- Groove:
- less groove-driven than 78% of Four Tet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Love Cry (Joy Orbison Remix) in?
Love Cry (Joy Orbison Remix) by Four Tet is in D♭ major, or 3B on the Camelot wheel.
What BPM is Love Cry (Joy Orbison Remix)?
Love Cry (Joy Orbison Remix) runs at 202 BPM.
What mixes well with Love Cry (Joy Orbison Remix)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Love Cry (Joy Orbison Remix) good for peak time?
With energy 46 out of 100 at 202 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 202 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 190-214 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 202 — beatmatch without a big tempo pull.
More downtempo
More from Four Tet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 202 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
