The Days I Miss You by YokoO cover art

The Days I Miss You

YokoO

Key
8B · C major
BPM
212
Half-time
106
Open Key
1d
Energy
4/100
Pop
11/100
Length
4:32
Released
2019
Genre
Deep House
Loudness
-28.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Days I Miss You is a deep house track in C major (8B) at 212 BPM. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. Calmer than 97% of YokoO's catalogue.

Tempo:
faster than 97% of YokoO's catalogue
Groove:
less groove-driven than 97% of YokoO's catalogue
Brightness:
darker than 91% of YokoO's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy4
Mood13Dark
Groove21
Acoustic96
Instrumental90
Live9
Speech4
darkrelaxedinstrumental

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Days I Miss You in?

The Days I Miss You by YokoO is in C major, or 8B on the Camelot wheel.

What BPM is The Days I Miss You?

The Days I Miss You runs at 212 BPM.

What mixes well with The Days I Miss You?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is The Days I Miss You good for peak time?

With energy 4 out of 100 at 212 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 212 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 199-225 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 212 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 212 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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