Fusspause by Robag Wruhme cover art

Fusspause

Robag Wruhme

Key
8A · A minor
BPM
104
Open Key
1m
Energy
10/100
Pop
8/100
Length
2:49
Released
2011
Genre
Minimal
Loudness
-30.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 104 BPM in A minor (8A), Fusspause is a slow-groove tempo minimal production. The groove is loose and less beat-driven. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2011 production that still circulates in sets. Calmer than 96% of Robag Wruhme's catalogue.

Tempo:
slower than 93% of Robag Wruhme's catalogue
Groove:
less groove-driven than 91% of Robag Wruhme's catalogue
Brightness:
darker than 80% of Robag Wruhme's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy10
Mood7Dark
Groove40
Acoustic91
Instrumental87
Live37
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Fusspause in?

Fusspause by Robag Wruhme is in A minor, or 8A on the Camelot wheel.

What BPM is Fusspause?

Fusspause runs at 104 BPM, a slow-groove tempo track.

What mixes well with Fusspause?

From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.

Is Fusspause good for peak time?

With energy 10 out of 100 at 104 BPM, it works best as a warm-up or breakdown cut.

Mixes harmonically

8A7A · 9A · 8B

From 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.

#Track

Every move from 8A

9ASimple Mix Upper
7ASimple Mix Downer
8BTonal Shift·
9BDiagonal Mix Upper
7BDiagonal Mix Downer
5BCompatible Tone·
10AHigh Energy Boost▲▲▲
6AHigh Energy Drain▼▼▼
11AParallel Key Upper▲▲
5AParallel Key Downer▼▼
3ATritone Jump▲▲
12ARelated Keyrisky

How to mix it

In 8A at 104 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.

Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.

Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.

Similar tempo

Within ±3 BPM of 104 — beatmatch without a big tempo pull.

#Track

More minimal

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track