Old Sack - Robag Wruhme Rmx
30s preview
- Key
- 8A · A minor
- BPM
- 104
- Open Key
- 1m
- Energy
- 51/100
- Pop
- 0/100
- Length
- 5:10
- Released
- 2007
- Album
- The Lost Archive EP 1998 - 2007
- Genre
- Minimal
- Loudness
- -9.4 dB
- Dynamics
- 11.0 dB
- ISRC
- DEDU60750013
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 104 BPM in A minor (8A), Old Sack - Robag Wruhme Rmx is a slow-groove tempo minimal production. The feel is balanced in mood. Rhythmically it is built for the dancefloor. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2007 production that still circulates in sets. More underground than 99% of Robag Wruhme's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 93% of Robag Wruhme's catalogue
- Brightness:
- brighter than 92% of Robag Wruhme's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 11%
- High
- 2.5-11 kHz
FAQ
What key is Old Sack - Robag Wruhme Rmx in?
Old Sack - Robag Wruhme Rmx by Robag Wruhme is in A minor, or 8A on the Camelot wheel.
What BPM is Old Sack - Robag Wruhme Rmx?
Old Sack - Robag Wruhme Rmx runs at 104 BPM, a slow-groove tempo track.
What mixes well with Old Sack - Robag Wruhme Rmx?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Old Sack - Robag Wruhme Rmx good for peak time?
With energy 51 out of 100 at 104 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 104 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 98-110 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 104 — beatmatch without a big tempo pull.
More minimal
More from Robag Wruhme
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 104 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
