Angel Eches (Jon Hopkins Remix)
30s preview
- BPM
- 115
- Open Key
- 11d
- Energy
- 29/100
- Pop
- 0/100
- Length
- 5:05
- Released
- 2010
- Album
- Angel Echoes Remixes
- Genre
- Downtempo
- Loudness
- -15.0 dB
- Dynamics
- 13.0 dB
- ISRC
- GBCEL1000356
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 115 BPM in B♭ major (6B), Angel Eches (Jon Hopkins Remix) is a mid-tempo downtempo production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Four Tet's catalogue.
- Energy:
- calmer than 90% of Four Tet's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Angel Eches (Jon Hopkins Remix) in?
Angel Eches (Jon Hopkins Remix) by Four Tet is in B♭ major, or 6B on the Camelot wheel.
What BPM is Angel Eches (Jon Hopkins Remix)?
Angel Eches (Jon Hopkins Remix) runs at 115 BPM, a mid-tempo track.
What mixes well with Angel Eches (Jon Hopkins Remix)?
From 6B it blends harmonically with 7B, 6A, 5B. Moving to 7B lifts the energy a step.
Is Angel Eches (Jon Hopkins Remix) good for peak time?
With energy 29 out of 100 at 115 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
6B → 5B · 7B · 6AFrom 6B, 7B (F major) lifts the energy a step; 6A (G minor) settles into the relative minor; 5B (E♭ major) cools the energy down a step.
![You Don’t Have a Clue [True Electric] by Röyksopp cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/2dc855271f39a7c365d9.webp){kind=small}
How to mix it
In 6B at 115 BPM: 7B (F major) — move to 7B to push the floor harder; 6A (G minor) — switch to 6A for a mood change without losing the groove; 5B (E♭ major) — drop to 5B to bring the room down gently.
Pitch range at ±6%: 108-122 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1B rather than 6B; below -5% it reads as 11B. With key lock on, it stays 6B across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 115 — beatmatch without a big tempo pull.
More downtempo
More from Four Tet
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 115 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
