Lost In Brussels by Stereoclip cover art

Lost In Brussels

Stereoclip

Key
1A · A♭ minor
BPM
125
Open Key
6m
Energy
61/100
Pop
53/100
Length
5:59
Released
2015
Genre
Deep House
Loudness
-13.4 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Lost In Brussels runs 125 BPM in A♭ minor (1A), a club-tempo deep house record. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2015 production that still circulates in sets. Better known than 96% of Stereoclip's catalogue. For programming, treat it as a mid-set roller.

Tempo:
faster than 81% of Stereoclip's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy61
Mood34Balanced
Groove71
Acoustic12
Instrumental77
Live13
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Lost In Brussels in?

Lost In Brussels by Stereoclip is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Lost In Brussels?

Lost In Brussels runs at 125 BPM, a club-tempo track.

What mixes well with Lost In Brussels?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Lost In Brussels good for peak time?

With energy 61 out of 100 at 125 BPM, it works best as a mid-set roller.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 125 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

More deep house

More from Stereoclip

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track