7 Seconds (Teedee Remix) [feat. Shamiya Battles]
30s preview
- BPM
- 140
- Half-time
- 70
- Open Key
- 7d
- Energy
- 82/100
- Pop
- 39/100
- Length
- 2:25
- Released
- 2025
- Genre
- Tech House
- Loudness
- -7.2 dB
- Dynamics
- 9.0 dB
- ISRC
- US38Y2504996
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 7 Seconds (feat. Shamiya Battles) - Cassö Remixremix3B · 142
- 7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Radio Editversion6B · 128
- 7 Seconds (feat. Shamiya Battles) - Radio Editversion3A · 128
- 7 Seconds (James Hype Dub) [feat. Shamiya Battles] - Extended Mixversion8A · 128
- 7 Seconds (extended mix)version3A · 128
- 7 Seconds (Cassö Remix) [feat. Shamiya Battles] - Extended Mixremix4B · 142
7 Seconds (Teedee Remix) [feat. Shamiya Battles] runs 140 BPM in F♯ major (2B), a driving up-tempo tech house record. The feel is punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 95% of James Hype's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 93% of James Hype's catalogue
- Reach:
- better known than 80% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 38%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is 7 Seconds (Teedee Remix) [feat. Shamiya Battles] in?
7 Seconds (Teedee Remix) [feat. Shamiya Battles] by James Hype is in F♯ major, or 2B on the Camelot wheel.
What BPM is 7 Seconds (Teedee Remix) [feat. Shamiya Battles]?
7 Seconds (Teedee Remix) [feat. Shamiya Battles] runs at 140 BPM, a driving up-tempo track.
What mixes well with 7 Seconds (Teedee Remix) [feat. Shamiya Battles]?
From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.
Is 7 Seconds (Teedee Remix) [feat. Shamiya Battles] good for peak time?
With energy 82 out of 100 at 140 BPM, it works best as a peak-time weapon.
Mixes harmonically
2B → 1B · 3B · 2AFrom 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.
How to mix it
In 2B at 140 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.
Pitch range at ±6%: 132-148 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 140 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 140 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.