I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix
30s preview
- Key
- 6A · G minor
- BPM
- 131
- Open Key
- 11m
- Energy
- 91/100
- Pop
- 51/100
- Length
- 4:04
- Released
- 2019
- Album
- I Was Lovin' You (feat. Dots Per Inch & Ayak) [Remixes]
- Genre
- Tech House
- Loudness
- -5.3 dB
- Dynamics
- 12.9 dB
- ISRC
- UKRPL1900015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- I Was Lovin' You (feat. Dots Per Inch & Ayak)original1A · 124
- I was Lovin' You (feat. Dots Per Inch & Ayak) - VIP Mixoriginal1A · 125
- I Was Lovin' You (feat. Dots Per Inch & Ayak) - Extended Mixversion1B · 124
- I Was Lovin’ You (Sammy Porter remix)remix2A · 124
Against the original (1A at 124 BPM), this version runs 7 BPM faster and moves the key from 1A to 6A.
I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix runs 131 BPM in G minor (6A), a peak-time tempo tech house record. The groove is strong and floor-ready. It is vocal-led. The master keeps unusual dynamic range for club music (crest 13 dB). Better known than 92% of James Hype's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 89% of James Hype's catalogue
- Low end:
- more treble-tilted than 84% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix in?
I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix by James Hype is in G minor, or 6A on the Camelot wheel.
What BPM is I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix?
I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix runs at 131 BPM, a peak-time tempo track.
What mixes well with I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is I Was Lovin' You (feat. Dots Per Inch & Ayak) - TS7 Remix good for peak time?
With energy 91 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 131 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
