Struck Piano - Extended Mix
30s preview
- BPM
- 138
- Open Key
- 6m
- Energy
- 82/100
- Pop
- 1/100
- Length
- 7:01
- Released
- 2024
- Album
- Struck Piano
- Genre
- Techno
- Loudness
- -7.8 dB
- Dynamics
- 9.4 dB
- ISRC
- NLF712405449
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Struck Pianooriginal1A · 138
Against the original (1A at 138 BPM), this version holds the same tempo in the same key.
Struck Piano - Extended Mix runs 138 BPM in A♭ minor (1A), a driving up-tempo techno record. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 87% of Alan Fitzpatrick's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 85% of Alan Fitzpatrick's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Struck Piano - Extended Mix in?
Struck Piano - Extended Mix by Alan Fitzpatrick is in A♭ minor, or 1A on the Camelot wheel.
What BPM is Struck Piano - Extended Mix?
Struck Piano - Extended Mix runs at 138 BPM, a driving up-tempo track.
What mixes well with Struck Piano - Extended Mix?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is Struck Piano - Extended Mix good for peak time?
With energy 82 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 138 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 82/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More techno
More from Alan Fitzpatrick
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
