Struck Piano by Alan Fitzpatrick cover art

Struck Piano

Alan Fitzpatrick

30s preview

Key
1A · A♭ minor
BPM
138
Open Key
6m
Energy
81/100
Pop
2/100
Length
3:20
Released
2024
Genre
Techno
Loudness
-8.0 dB
Dynamics
10.0 dB
ISRC
NLF712405448

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A driving up-tempo techno cut, Struck Piano sits in A♭ minor (1A) at 138 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Faster than 87% of Alan Fitzpatrick's catalogue.

Groove:
less groove-driven than 85% of Alan Fitzpatrick's catalogue
Low end:
more treble-tilted than 78% of Alan Fitzpatrick's catalogue
Brightness:
brighter than 75% of Alan Fitzpatrick's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood40Balanced
Groove59
Acoustic0
Instrumental93
Live37
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
33%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Struck Piano in?

Struck Piano by Alan Fitzpatrick is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Struck Piano?

Struck Piano runs at 138 BPM, a driving up-tempo track.

What mixes well with Struck Piano?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Struck Piano good for peak time?

With energy 81 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 138 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 81/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More techno

#Track

More from Alan Fitzpatrick

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track