On & On - Ely Oaks Remix
30s preview
- BPM
- 155
- Half-time
- 78
- Open Key
- 7m
- Energy
- 78/100
- Pop
- 46/100
- Length
- 2:03
- Released
- 2025
- Album
- On & On (Ely Oaks Remix)
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- Dynamics
- 11.0 dB
- ISRC
- GBUM72502855
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- On & Onoriginal2A · 174
- On & On - Kanine Remixremix4B · 174
- On & On - Taiki Nulight Remixremix2A · 140
- On & On - Extended Editversion2A · 174
- On & On - nimino Remixremix5A · 140
- On & On - Y U QT Remixremix2A · 140
Against the original (2A at 174 BPM), this version runs 19 BPM slower in the same key.
On & On - Ely Oaks Remix: fast drum n bass, E♭ minor (2A), 155 BPM. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 95% of Sub Focus's catalogue.
- Groove:
- groovier than 93% of Sub Focus's catalogue
- Energy:
- calmer than 86% of Sub Focus's catalogue
- Reach:
- better known than 85% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is On & On - Ely Oaks Remix in?
On & On - Ely Oaks Remix by Sub Focus is in E♭ minor, or 2A on the Camelot wheel.
What BPM is On & On - Ely Oaks Remix?
On & On - Ely Oaks Remix runs at 155 BPM, a fast track.
What mixes well with On & On - Ely Oaks Remix?
From 2A it blends harmonically with 3A, 2B, 1A. Moving to 3A lifts the energy a step.
Is On & On - Ely Oaks Remix good for peak time?
With energy 78 out of 100 at 155 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
2A → 1A · 3A · 2BFrom 2A, 3A (B♭ minor) lifts the energy a step; 2B (F♯ major) brightens to the relative major; 1A (A♭ minor) cools the energy down a step.
How to mix it
In 2A at 155 BPM: 3A (B♭ minor) — move to 3A to push the floor harder; 2B (F♯ major) — switch to 2B for a mood change without losing the groove; 1A (A♭ minor) — drop to 1A to bring the room down gently.
Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9A rather than 2A; below -5% it reads as 7A. With key lock on, it stays 2A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 155 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
