Good Luck
30s preview
- Key
- 7B · F major
- BPM
- 154
- Half-time
- 77
- Open Key
- 12d
- Energy
- 97/100
- Pop
- 0/100
- Length
- 4:42
- Released
- 2003
- Genre
- House
- Label
- Remote Control
- Loudness
- -3.1 dB
- Dynamics
- 10.8 dB
- ISRC
- GBBKS0300096
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Good Luck - Circadian Remixremix9A · 174
- Good Luckoriginal7B · 154
- Good Luck - IYRE Remixremix10A · 174
- Good Luck - Live at Sydney Opera Houseoriginal8A · 147
- Good Luck - Roni Size Dancefloor Mixoriginal3A · 175
- Good Luck - Roni Size Vocal Mixoriginal3A · 87
Good Luck runs 154 BPM in F major (7B), a fast house record. It reads as dark and driving. It is vocal-led. The timbre leans dark. The master is loud and heavily compressed. A 2003 production that still circulates in sets. More underground than 99% of Basement Jaxx's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 94% of Basement Jaxx's catalogue
- Energy:
- hotter than 93% of Basement Jaxx's catalogue
- Groove:
- less groove-driven than 86% of Basement Jaxx's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Good Luck in?
Good Luck by Basement Jaxx is in F major, or 7B on the Camelot wheel.
What BPM is Good Luck?
Good Luck runs at 154 BPM, a fast track.
What mixes well with Good Luck?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Good Luck good for peak time?
With energy 97 out of 100 at 154 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 154 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 145-163 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 154 — beatmatch without a big tempo pull.
More house
More from Basement Jaxx
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 154 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
