Don’t You Feel It - Kideko Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 77/100
- Pop
- 0/100
- Length
- 4:09
- Released
- 2017
- Album
- Don't You Feel It (Kideko Remix)
- Genre
- Drum N Bass
- Loudness
- -7.6 dB
- Dynamics
- 16.6 dB
- ISRC
- GBUM71702608
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don’t You Feel Itoriginal5A · 100
- Don’t You Feel It - Sub Focus & 1991 Remixremix4B · 174
- Don’t You Feel It (salute remix)remix4B · 130
Against the original (5A at 100 BPM), this version runs 25 BPM faster and moves the key from 5A to 3A.
At 125 BPM in B♭ minor (3A), Don’t You Feel It - Kideko Remix is a club-tempo drum n bass production. The feel is dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. The master keeps unusual dynamic range for club music (crest 17 dB). A 2017 production that still circulates in sets. More underground than 99% of Sub Focus's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 98% of Sub Focus's catalogue
- Tempo:
- slower than 95% of Sub Focus's catalogue
- Low end:
- more treble-tilted than 94% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 28%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Don’t You Feel It - Kideko Remix in?
Don’t You Feel It - Kideko Remix by Sub Focus is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Don’t You Feel It - Kideko Remix?
Don’t You Feel It - Kideko Remix runs at 125 BPM, a club-tempo track.
What mixes well with Don’t You Feel It - Kideko Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Don’t You Feel It - Kideko Remix good for peak time?
With energy 77 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 77/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
