Don’t You Feel It
30s preview
- Key
- 5A · C minor
- BPM
- 100
- Double-time
- 200
- Open Key
- 10m
- Energy
- 79/100
- Pop
- 33/100
- Length
- 3:27
- Released
- 2017
- Album
- Don't You Feel It
- Genre
- Deep House
- Label
- Universal Music
- Loudness
- -4.3 dB
- Dynamics
- 10.7 dB
- ISRC
- GBUM71701428
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don’t You Feel It - Kideko Remixremix3A · 125
- Don’t You Feel It - Sub Focus & 1991 Remixremix4B · 174
- Don’t You Feel It (salute remix)remix4B · 130
Don’t You Feel It: slow-groove tempo deep house, C minor (5A), 100 BPM. It is vocal-led. The master is loud and heavily compressed. A 2017 production that still circulates in sets. Slower than 98% of Sub Focus's catalogue.
- Brightness:
- brighter than 94% of Sub Focus's catalogue
- Groove:
- groovier than 91% of Sub Focus's catalogue
- Energy:
- calmer than 84% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Don’t You Feel It in?
Don’t You Feel It by Sub Focus is in C minor, or 5A on the Camelot wheel.
What BPM is Don’t You Feel It?
Don’t You Feel It runs at 100 BPM, a slow-groove tempo track.
What mixes well with Don’t You Feel It?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Don’t You Feel It good for peak time?
With energy 79 out of 100 at 100 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 100 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 94-106 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 100 — beatmatch without a big tempo pull.
More deep house
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 100 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
