What I Was Running From by Hadone cover art

What I Was Running From

Hadone

30s preview

Key
8B · C major
BPM
155
Half-time
78
Open Key
1d
Energy
84/100
Pop
13/100
Length
6:06
Released
2022
Genre
Techno
Label
Things We Never Did
Loudness
-8.1 dB
Dynamics
10.8 dB
ISRC
NLCK42220927

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

What I Was Running From: fast techno, C major (8B), 155 BPM. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Brighter than 90% of Hadone's catalogue.

Tempo:
faster than 86% of Hadone's catalogue
Groove:
groovier than 85% of Hadone's catalogue
Reach:
better known than 77% of Hadone's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood61Balanced
Groove70
Acoustic0
Instrumental87
Live11
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
41%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
18%
Upper-mid
570 Hz-2.5 kHz
9%
High
2.5-11 kHz

FAQ

What key is What I Was Running From in?

What I Was Running From by Hadone is in C major, or 8B on the Camelot wheel.

What BPM is What I Was Running From?

What I Was Running From runs at 155 BPM, a fast track.

What mixes well with What I Was Running From?

From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.

Is What I Was Running From good for peak time?

With energy 84 out of 100 at 155 BPM, it works best as a high-intensity peak cut.

Mixes harmonically

8B7B · 9B · 8A

From 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.

#Track

Every move from 8B

9BSimple Mix Upper
7BSimple Mix Downer
8ATonal Shift·
9ADiagonal Mix Upper
7ADiagonal Mix Downer
11ACompatible Tone·
10BHigh Energy Boost▲▲▲
6BHigh Energy Drain▼▼▼
11BParallel Key Upper▲▲
5BParallel Key Downer▼▼
3BTritone Jump▲▲
12BRelated Keyrisky

How to mix it

In 8B at 155 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.

Pitch range at ±6%: 146-164 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.

Programming: a high-intensity peak cut.

Similar tempo

Within ±3 BPM of 155 — beatmatch without a big tempo pull.

#Track

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 155 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track