Stand Too Close
30s preview
- Key
- 9A · E minor
- BPM
- 137
- Open Key
- 2m
- Energy
- 57/100
- Pop
- 26/100
- Length
- 5:38
- Released
- 2026
- Genre
- Techno
- Loudness
- -11.3 dB
- Dynamics
- 6.9 dB
- ISRC
- DEH742611614
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 137 BPM in E minor (9A), Stand Too Close is a driving up-tempo techno production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master is squashed flat, built for loudness (crest 7 dB). Calmer than 94% of Hadone's catalogue. In a set it works best as a mid-set roller.
- Reach:
- better known than 93% of Hadone's catalogue
- Groove:
- groovier than 90% of Hadone's catalogue
- Tempo:
- slower than 85% of Hadone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is Stand Too Close in?
Stand Too Close by Hadone is in E minor, or 9A on the Camelot wheel.
What BPM is Stand Too Close?
Stand Too Close runs at 137 BPM, a driving up-tempo track.
What mixes well with Stand Too Close?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Stand Too Close good for peak time?
With energy 57 out of 100 at 137 BPM, it works best as a mid-set roller.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 137 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More techno
More from Hadone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
