Timewarp
30s preview
- BPM
- 174
- Half-time
- 87
- Open Key
- 8d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 4:38
- Released
- 2009
- Album
- Sub Focus
- Genre
- Drum N Bass
- Loudness
- -5.4 dB
- Dynamics
- 9.7 dB
- ISRC
- GBBZH0991312
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Timewarporiginal3B · 174
- Timewarp - Dimension Remixremix8B · 174
- Timewarporiginal3B · 174
At 174 BPM in D♭ major (3B), Timewarp is a drum n bass production. Tonally it lands punchy, neutral in mood. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2009 production that still circulates in sets. More underground than 99% of Sub Focus's catalogue. In a set it works best as an opener or closing-set piece.
- Low end:
- more bass-heavy than 81% of Sub Focus's catalogue
- Brightness:
- brighter than 78% of Sub Focus's catalogue
- Groove:
- less groove-driven than 76% of Sub Focus's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Timewarp in?
Timewarp by Sub Focus is in D♭ major, or 3B on the Camelot wheel.
What BPM is Timewarp?
Timewarp runs at 174 BPM.
What mixes well with Timewarp?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Timewarp good for peak time?
With energy 94 out of 100 at 174 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 174 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 164-184 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 174 — beatmatch without a big tempo pull.
More drum n bass
More from Sub Focus
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 174 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
